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 The Places and the History: 
The Vigliena's Episody

On June 13th 1799, those "sanfedistas" of the Cardinal Fabrizio Ruffo, they went from Calabria toward the Capital to reconquer the throne for the Borbons, they arrived to the doors of the city. 


In The Magdalena's bridge, in the proximities of the Barns, they were expected by the republican soldiers from General Wirtz. Something but far, in the fortress of Vigliena, 150 militiamen were retrenched this way call "Legione Calabra" that hoist one black flag with the legend "To conquer or to Die".

They were commanded by Antonio Toscani, a priest of Corigliano Calabro that had hugged with remarkable anger the idea republican and liberal; among them there were people with strong ethical and moral motivations, but certainly, not endowed with great know-how neither military experience.

The Cardinal's militias, on the other hand, gathered the cream of the Calabrian delinquency, taken of those galleys and incited, with an overlapped publicity to kill and to loot.

It had been orchestrated, with political ends, everything: religious faith, monarchic loyalty, fear for those revolutionary events, thirst of blood and of booty, hate of classes.
They faced, therefore, fellow citizens, but of very diverse origins; the respective bosses, also, they represented two opposed worlds: the one Cardinal and the conservatism and the priest and the liberation.

The "sanfedistas" assaulted the fortress. The encounter, bloody and cruel, could not finish well for those defenders, for the difference of forces in the field of battle. But them, certain to not falling in those hands of such "compatriots", finally of the battle they preferred to make explode the powder magazine, burying a good one numbers of winners and conquered.

The material author of the expression was, almost con  security, the same one Antonio Toscani, but some columnist also mentions the names of others two defenders: Martelli and Pontari.

The episode soon was object of a punctual work of denigración and demolition on the part of the Borbon columnists that sustained the chance of the explosion, caused by the inexpertness and vicinity: then it was not heroes but fans in danger.


On the other hand Pietro Colletta narrates the events as he thinks they was: 

"The Russian attacked Vigliena, but for the great resistance that they found, was necessary to demolish those walls with battery continuous of canyons, then Russian, Turks, Borbons, entered to the fortress to combat with short weapons, suffering, handicapped and straits for the elevated number, the enemy's offenses and of their partners. Many of the Calabrian legionaries were died, other wounded, without desires of continuing living; so the priest Toscani of Cosenza,  boss of the prison, being had in foot to you last hardships and very wounded, he approached to the powder magazine, and invoking to God and the Freedom, it tosses fire to the gunpowder, and in an instant with a terrible explosion they die how many they were inside the walls, buried by the ruins or rushed to the air, squashed by the stones: enemies, friends, horribly married.".

In the time of Carlos of Borbon, at 1742, they were carried out, for advice of the Engineer Bardet, notables restoration works and driven consolidation for the engineers Francisco Lopez Varies and Francisco Rosso.

Almost a hundred years after the explosion, on December 8th 1891, the Honorable Imbriani and others deputies of the Parliament intended to declare the fortress, national monument, in memory of the episode: Villari, Minister of Public Instruction, associated on behalf of the one Governement. 
But things vanished rapidly,  since the remains of the fortress were used as polygon, with adaptations that the damages increased, more that those caused to the historical building by the one explosion of 1799.

The construction of the fortress:
On the origins of the Vigliena Fortress they formulated a very large number of hypothesis, frankly not convincing. 
At the end of the XIXth century, the specialist Francesco Pometti finds in the Great Archive of Naples the treasury identifications emitted for the construction, in the year 1706. Coming to the light the Engineer's names Filippo Mariniello, director of works and of the landlord Luise Androsiglie (?), and also of the supplier of ammunition Gregorio Minichini. The realization happened, because, during the command of the last Spanish Viceroy, Juan Manuel Fernandez Pacheco, Marquis of Villena, evidently in the circumstance from a last defense program those Spanish domains of the south of Italy. It is explained this way the name of the fortress. 

The fortress, has a pentagonal design, was in substance one battery for the coastal defense, lower to avoid excessive visibility from the sea: it messurates 6 meters of height on the side of the beach and near 5 meters of the one opposed side; surroundings had a moat of 9 meters of wide and high as the building that, therefore, appeared as buried. It was endowed with seven big canyons, pointing toward the sea and two small mouths of fire toward inland.

The Iconography:

- Francesco Irace, Antonio Toscano, monument for Vigliena (sculpture). Comune di Napoli.
- Domenico Cimatti, The Vigliena Fortress (painting), Napoli, Museo di San Martino, n.13523.
- Francesco Wenzel, Sightseeing of the Granatello Fortress(painting), Napoli, Museo di San Martino, n.11107.
- Gaspard Van Wittel, The Vigliena Fortress (painting), Napoli, Società Napoletana di Storia Patria, n.11852.

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